Guidelines for the diagnosis and treatment of non-ST-segment elevation acute coronary syndromes. Bassand JP, Hamm CW, Ardissino D, Boersma E, Budaj A, Fernandez-Aviles F, Fox KA, Hasdai D, Ohman EM, Wallentin L, Wijns W. ACC/AHA 2007 guidelines for the management of patients with unstable angina/non-ST-elevation myocardial infarction: a report of the American College of Cardiology/American Heart Association Task Force on Practice Guidelines (Writing Committee to Revise the 2002 Guidelines for the Management of Patients With Unstable Angina/Non-ST-Elevation Myocardial Infarction) developed in collaboration with the American College of Emergency Physicians, the Society for Cardiovascular Angiography and Interventions, and the Society of Thoracic Surgeons endorsed by the American Association of Cardiovascular and Pulmonary Rehabilitation and the Society for Academic Emergency Medicine. Anderson JL, Adams CD, Antman EM, Bridges CR, Califf RM, Casey DE, Chavey WE, Fesmire FM, Hochman JS, Levin TN, Lincoff AM, Peterson ED, Theroux P, Wenger NK, Wright RS, Smith SC, Jacobs AK, Halperin JL, Hunt SA, Krumholz HM, Kushner FG, Lytle BW, Nishimura R, Ornato JP, Page RL, Riegel B. Customer Service and Ordering Information.Stroke: Vascular and Interventional Neurology.Journal of the American Heart Association (JAHA).Circ: Cardiovascular Quality & Outcomes.Arteriosclerosis, Thrombosis, and Vascular Biology (ATVB).In Zimbabwe, we lit the set with the lions with Soviet arcs that had come from South Africa, just as had the elephants. In Morocco, the Ksar south of Marrakesh that housed The Last Temptation of Christ was the place of the imprisonment and liberation of the children that Nikos Meletopoulos was able to transform just as he created the village in the Ivory Coast out of nothing. In Niger, the brilliance of a petrified forest gave the capture of the slaves a Dantean quality. We’d begun the film in the Ivory Coast and the choice of a region full of hills with dark rocks allowed us to compensate for the hardness of the white sky with our shots that were often taken from birds-eye view. I just had to improvise the lighting that would light his composition with the help of Pierre David.

Martin Legrand and Tristan Fabre, the assistants, had to improvise the camerawork without any guidelines, because he himself improvised ceaselessly. Au 2 e plan, Jérôme Arrignon et un membre de l’équipe ivoirienne - Photo Olivia Bruynogheīeing his own cameraman gave him the freedom to compose, to punctuate, and to be solely responsible for the establishing shots, which he would then take apart during editing.

Grue michel freres